Prospect.4
Featured
Los Jaichackers
Julio César Morales (b. 1966, Tijuana, Mexico) and Eamon Ore-Girón (b. 1973, Tucson, Arizona)
Subterranean Homesick Cumbia, 2014
Two channel HD video installation, mixed media
Duration: 21 minutes, 16 seconds
Courtesy of the artists
Installation View at Joan Mitchell Center Studios for Prospect.3: Notes for Now, a Project of Prospect New Orleans, October 25, 2014 - January 25, 2015
Photo © Scott McCrossen/ FIVE65 Design
Camille Henrot (b. 1978, Paris, France)
Grosse Fatigue, 2013, Video (color, sound), 13 min. © ADAGP Camille Henrot. Courtesy the artist and kamel mennour, Paris; Johann König, Berlin; and Metro Pictures, New York.
The Propeller Group
Phunam (b. 1974, Saigon, Vietnam), Matt Lucero (b. 1976, Upland, California), and Tuan Andrew Nguyen (b. 1976, Saigon, Vietnam)
The Living Need Light The Dead Need Music, 2014
Single channel video. 3840x2160. 25p. Color. 5.1 surround sound
Christopher Myers (b. 1974, New York, New York)
The Propeller Group and Christopher Myers, Installation View at UNO St. Claude Gallery for Prospect.3: Notes for Now, a Project of Prospect New Orleans, October 25, 2014 - January 25, 2015
© Scott McCrossen/ FIVE65 Design
Gary Simmons (b. 1964, New York, New York)
Recapturing Memories of the Black Ark, 2014
Plywood inlaid epoxy floor and PA speakers
Courtesy of the artist and Metro Pictures, New York; Anthony Meier, San Francisco; Simon Lee, London; and Regen Projects, Los Angeles
Installation View at Tremé Market Branch for Prospect.3: Notes for Now, a Project of Prospect New Orleans, October 25, 2014 - January 25, 2015
Photo © Scott McCrossen/ FIVE65 Design
Zarouhie Abdalian (b. 1982, New Orleans, Louisiana)
Chanson du ricochet, 2014
Sound and mirrored surfaces
Courtesy of the artist and Altman Siegel Gallery, San Francisco
Photo © Scott McCrossen/ FIVE65 Design
Zarouhie Abdalian, Installation View at New Orleans African American Museum for Prospect.3: Notes for Now, a Project of Prospect New Orleans, October 25, 2014 - January 25, 2015
William Cordova, Installation View at Dillard University for Prospect.3: Notes for Now, a Project of Prospect New Orleans, October 25, 2014 - January 25, 2015
Photo © Scott McCrossen/ FIVE65 Design
David Zink Yi (b. 1973, Lima, Peru)
Horror Vacui, 2009
Two-channel HD video installation
Duration: 120 minutes
Courtesy of the artist; Johann König, Berlin; and Hauser & Wirth, Zürich, London, New York
Installation View at the Contemporary Arts Center New Orleans for Prospect.3: Notes for Now, a Project of Prospect New Orleans, October 25, 2014 - January 25, 2015
Photo © Scott McCrossen/ FIVE65 Design
JOHN AKOMFRAH,
Precarity, 2017
3 channel film installation
installed at the Ogden Museum of Southern art for Prospect.4
Edgar Cleijne & Ellen Gallagher, Highway Gothic, 2017, Installation view at the Contemporary Arts Center, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © Zack Smith
Mark Dion, The Field Station of the Melancholy Marine Biologist, 2017, Installation view at Algiers Point, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © Crista Rock
Evan Ifekoya, Disco Breakdown, 2014, Installation view at the Contemporary Arts Center, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
Derrick Adams, Saints March, 2017, Installation view at Perseverence Hall, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
Alfredo Jaar, One Million Points of Light, 2005, Installation view at the Contemporary Arts Center, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
Rashid Johnson, Fiend, 2017, Installation view at the New Orleans Jazz Museum at the Old U.S. Mint, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © Zack Smith
Taiyo Kimura, Untitled (Stool for Guard), 2007-17, Installation view at the Contemporary Arts Center, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
Jillian Mayer, You’ll Be Okay, 2014, Installation view at the Contemporary Arts Center, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
Radcliffe Bailey, Vessel, 2017,
Installation view at Crescent Park,
Prospect.4: TheLotus in Spite of the Swamp, New Orleans, 201718.
Photo © Mike Smith
Miss Pussycat, Installation view at the Ogden Museum of Southern Art, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
Darryl Montana, Rooted in Resistance, Remembrance, Ritual, and Resilience: Black Masking Indian Suiting, Installation view at the New Orleans Jazz Museum at the Old U.S. Mint, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © Zack Smith
Jennifer Odem, Rising Tables, 2017, Installation view at Crescent Park, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © Mike Smith
Hồng-Ân Trương , To Speak a Language, 2012, Installation view at Crescent Park, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
Odili Donald Odita, Indivisible and Invincible: Monument to Black Liberation and Celebration in the City of New Orleans, 2017, Installation view at Algiers Point, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
Dawit Petros, Installation view at the New Orleans Museum of Art, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
3-Channel sound installation
Photography, Roman Alokhin, courtesy of New Orleans Museum of Art
Dario Robleto in collaboration with Lance and April Ledbetter of Dust-to-Digital, Goodbye, Babylon (Remix), 2015, Installation view at the New Orleans Jazz Museum at the Old U.S. Mint, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © Zack Smith
Zina Saro-Wiwa, Table Manners, 2014-2016 , Installation view with artist at the Contemporary Arts Center, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
Xaviera Simmons, Installation view at the New Orleans Museum of Art, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photography, Roman Alokhin, courtesy of New Orleans Museum of Art
Penny Siopis, World of Zulu, 2017, Installation view at the Contemporary Arts Center, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © J Caldwell
James Webb, There’s No Place Called Home (New Orleans), 2017, Installation view at New Orleans City Park, Prospect.4: The Lotus in Spite of the Swamp, New Orleans, 2017-18.
Photo © Sofia Ekstrom